Living In A Rich Man’s World

Living In A Rich Man’s World

Tracklist

Living In A Rich Man’s World Music Video

Larry Long’s music video for “Living In A Rich Man’s World” is a compelling fusion of folk-rock sound and evocative imagery that underscores the enduring struggle for economic and social justice. Originally penned in 1979, the song has been revitalized with a contemporary arrangement, featuring dynamic guitar work by Melvin James, which infuses the track with a renewed sense of urgency.​

The video, directed by Bob Trench, weaves together a tapestry of historical and modern visuals, including photographs from various social justice movements, such as the American Indian Movement, the Farmers Tractorcade to Washington D.C., and recent Black Lives Matter protests. These images serve to highlight the persistent disparities and the collective efforts to address them.​

Long’s lyrics resonate with the challenges faced by the working class, critiquing the widening gap between the wealthy and the poor. The combination of poignant storytelling and powerful visuals creates a narrative that is both personal and universal, urging viewers to reflect on the systemic issues that continue to affect society.​

“Living In A Rich Man’s World” stands as a testament to Long’s commitment to activism through music, offering a stirring reminder of the power of song to inspire change and solidarity.​

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Listen Now

Larry’s music is available on Apple Music, Amazon, Spotify, Bandcamp and select e-tailers

REVIEW

Larry Long’s Living In A Rich Man’s World is a bold and unflinching folk album that takes a hard look at inequality, labor, and the struggles of working people. With his trademark blend of heartfelt storytelling and grounded activism, Long uses this collection of songs to shine a light on the power imbalances that shape our daily lives—and the quiet resilience of those who refuse to be silenced.

A Voice for the Working Class

At its core, Living In A Rich Man’s World is an anthem for the working class. The album captures the frustration, pride, and hope of those who labor in factories, fields, and forgotten corners of the economy. Long’s lyrics are raw and honest, offering a voice to people often ignored in mainstream narratives. He doesn’t preach—he listens, reflects, and relays the truth through song.

The album speaks not only to personal hardship but also to systemic injustice. Whether addressing economic exploitation, corporate greed, or the erosion of community, Long approaches each subject with both moral clarity and deep compassion.

Musical Style and Delivery

Musically, the album is firmly rooted in folk and Americana traditions, with earthy acoustic guitar, harmonica, and subtle instrumentation that keeps the focus on the lyrics. Long’s vocals are warm, earnest, and unwavering—carrying just enough grit to make each line land with impact. The arrangements are simple and effective, reinforcing the idea that this music is about people, not polish.

There’s a rugged beauty to the sound, one that mirrors the strength and dignity of the lives it portrays. The pacing of the album flows naturally, moving from reflective ballads to more upbeat, toe-tapping numbers that evoke protest songs and union halls.

Notable Tracks and Impact

Several tracks stand out as powerful individual statements, but the album’s true strength lies in how it functions as a cohesive narrative. Together, the songs form a kind of oral history, passing down stories of survival, resistance, and dignity in the face of economic disparity. These aren’t abstract tales—they feel lived-in, real, and deeply human.

Final Thoughts

Living In A Rich Man’s World is a timely and timeless work that challenges listeners to pay attention—to see beyond headlines and into the hearts of those affected by injustice. Larry Long’s music doesn’t just entertain; it educates, inspires, and empowers. This album is a moving reminder that even in a world tilted toward the powerful, the stories and songs of everyday people still matter—and still have the power to bring about change.